Scent inspired by

Good Girl Gone Bad

Floral eau de parfum, for women

39,00 €
0,78 €/ml in 50 ml 0,59 €/ml in 100 ml (24% less per ml)
50 ml
Crafted
in the EU
EU delivery
in 3 to 7 days
Free EU delivery
from €49
14 days
to return

Osmanthus with an apricot-like glow opens onto tuberose, jasmine and narcissus, with rose and orange blossom around them. Made for wearers who enjoy rich white florals with a fruity edge.

Inspired by Kilian Paris Good Girl Gone Bad (2012).

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The detail

Olfactive family
Floral
Season
All year
When to wear
Day and evening
Concentration
Eau de parfum, up to 40% perfume oil
Sizes
50 ml and 100 ml
Made in
European Union

On the skin

Sillage Measured. Present without taking over.
Longevity Five to seven hours on the skin.
About the perfume

Good Girl Gone Bad, inspired by Kilian Paris Good Girl Gone Bad (2012)

Osmanthus leads, a small Asian blossom whose scent recalls apricot skin and a little leather, giving the opening a fruity, glowing tone. Tuberose then takes centre stage, heady and lush, with jasmine and narcissus behind it; narcissus adds a faintly green, hay-like shade. Rose and orange blossom fill out the bouquet. It is dense and floral throughout.

About the original

Alberto Morillas composed Good Girl Gone Bad for By Kilian in 2012, as part of the In the Garden of Good and Evil collection. Kilian describes it as half-innocent, half-voluptuous, and the house, now Kilian Paris, files it today among The Narcotics, its family of heady florals. Flankers include Good Girl Gone Bad Extreme, which we also make, and an Eau Fraîche. Despite the similar name, it has no connection with Carolina Herrera's Good Girl.

Our version

Ours is an independent eau de parfum made to evoke the same character. It is not Kilian Paris (By Kilian) stock, not an official relaunch and not the original formula.

The originalOur version
BrandKilian Paris (By Kilian)Parfumour
First released2012In production
FormatEau de ParfumEau de parfum, 50 ml or 100 ml
AvailabilityStill sold by the brandAvailable

Who it suits

Fans of tuberose and big white flowers are the natural audience. The bouquet is heady and fairly opulent, so a buyer who finds tuberose cloying should approach with care.

Related scents

Notes

Notes of the original fragrance, as published by the brand.

Notes: Osmanthus, Tuberose, Jasmine, Narcissus, Rose, Orange Blossom

How it smells

The opening is fruity and floral at once, osmanthus giving an apricot tone with orange blossom and rose around it.

Tuberose dominates the heart, with jasmine adding richness and narcissus a slightly green, hay-like depth.

Common questions

Is this the Kilian or the Carolina Herrera scent?

Kilian's Good Girl Gone Bad from 2012, an osmanthus and tuberose floral. Carolina Herrera's Good Girl is an unrelated fragrance, which we also make separately.

How does it relate to Good Girl Gone Bad Extreme?

This page is the original 2012 composition. Extreme is a later flanker and a separate product in our range.

Does it smell fruity?

Yes, mostly from osmanthus, which has a natural apricot character. The rest of the composition is floral.

Shipping

Inside the EU, delivery is free on orders of €49 or more. Below that it is a flat €4.99. Outside the EU, delivery is a flat €4.99 on every order. We send every order in 1 to 2 working days. It arrives in 3 to 7 days across the EU and in 7 to 14 days outside the EU. You have 14 days to return an unopened bottle.

Disclaimer

By Kilian and Good Girl Gone Bad are trademarks of their respective owners, and all rights remain with them. Parfumour is not affiliated with, endorsed by, sponsored by, or connected to By Kilian in any way, and no business relationship of any kind is implied. Our product is an original interpretation created to evoke a similar scent profile, and the trademark names are used purely for honest, descriptive comparison, so that you can quickly identify the style and fragrance family you are looking for. We make no claim to sell the original product, and we do not use the same ingredients or formula. Any similarity lies in the overall impression of the scent as interpreted by our own perfumers, not in the source materials.

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